Our aim is to build easy to use already custom built racks of wireless microphones that effectively cost less than the sum of their parts. How do we do this ... largely by using our own brand of microphones and antenna systems.
Generally if you want a brand name system, we would use their transmitters and receivers and put it all together into a working system for less than the internet price of the branded wireless system, antenna distribution, case-rack, XLR-XLR snake and microphones. The final result will work and sound as good (maybe better).
We also apply the Bodymics Tidy Rack philosophy - tailor length cables that minimize the clutter inside most racks - we have custom made RF, DC, and network cables the provide a nice clean easy to work with cabling solution.
While we have our standardized designs we can basically build anything you want from 4 to 40 channels. Ready to use multi-channel wireless systems for theatre - ideal for Performing Arts Centers, School & Community Theatre, and churches, temples etc
BLX14R - Analog Audio on UHF
Use Frequency Software to find clear channels
Good for 8, 12 16 channels
$$
SLXD14 - Digital Audio over UHF
Group Scan to allocate channels
good for up to 32 channels
$$$
QLXD14 Digital Audio over UHF
Group Scan to allocate channels
good for up to 56 channels
$$$$
XWS 2 Analog Audio on UHF
Use Frequency Software to find clear channels
Good for 8, 12 channels
$$
EW-D Digital Audio over UHF
Bluetooth App to allocate channels
good for up to 16 channels
$$$
EW-DX Digital Audio over UHF
Group Scan to allocate channels
good for up to 56 channels
$$$$
Analog Audio over UHF
Chanel by channel Scan to allocate channels
good for up to 16 channels
$
Analog Audio over UHF
Group Scan to allocate channels
good for up to 28 channels
$$
Digital Audio over UHF
Group Scan to allocate channels
good for up to 96 channels
$$$$$
QLXD FLY RACK 8
~ $12,400
SLXD FLY RACK 8
~ $10,990
EW-DX FLY RACK 16
~ $23,300
Over the last decade or so we have developed some great ideas of what a portable (or even installed) wireless systems should incorporate.
Everything is interconnected. We even put batteries in the transmitters. Just plug into power, connect to a mixer, put 2 antennas on the connector panel, turn on the transmitters and you're off to the races. Depending on your location and the other RF devices around you you may need to retune the frequency selection we ship with.
we have invested in custom length antenna, network and power cables so that there is little to no excess cable cluttering up the inside of the rack. Furthermore we designed a dual 9 way antenna distribution unit that allows for the elimination of antenna cables criss-crossing the rack. So ...
Our racks have our exclusive CA.AN1 in/out panel with connectors for antenna inputs , antenna outputs for connecting multiple racks together, and when fitted network jacks for updating firmware for digital wireless systems or control software (think Shure WWB and Sennheiser Console).
Beats trying to connect things by reaching inside the back of a rack.
All our racks have a premium XLR-XLR extension snake to connect the receivers to your mixer or stage box. Our snakes have tapered length fanout to continue our Tidy Rack concept - minimizes the clutter. Again.
Our Shure SLXD, QLXD, ULX and Senheiser EW-DX digital audio over UHF are networked using our small network switches and short length slim-run network cables.
Our standard systems include the Broadway BLF4 mini hairline-face-lav elements which compares favorable with premium mics from Shure, Sennheiser etc. Other mic styles are available
It is foolish not to have spare mics, though almost everyone buys just enough to match the number of receivers. Our experience tells us that no matter how carefully you treat your mics, you will have failures - normally at the most inconvenient time.
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Copyright © 2023 Reilly SR LLC, Audacious Pro LLC, audacious rack'd, - All Rights Reserved.
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